Kimberly Patterson, a native of Portmore Jamaica is celebrating her latest series “Family Business” making it to No. 7 on Netflix USA. The makeup artist who became an actress after auditioning for Nicki Canon’s 2016 movie King Of The Dancehall the featured Busta Rhymes and Canon himself.
“YES!!! I am so mind blown that we made it to #7 of the top 10 shows on Netflix.Thank you for showing us love everyone! And now that you’ve already binge watched the show, tell your friends to do the same. We all deserve some good entertainment, right?” she posted on Instagram.
The now seasoned actress who has also been in the series “Losing Patience” and the short film “Unspoken” speaks exclusively with World Music Views about her illustrious career and how the recent actor’s strike in Hollywood has affected her strides.
How did your experience starring in “King of the Dancehall” shape your acting career?
Starring in ‘King of The Dancehall’ was a transformative experience that significantly impacted my acting career. The film provided me with a platform to connect with a vast American audience, and its global reach continues to resonate. I am immensely thankful for the chance to showcase my authentic brand on an international stage, an opportunity that has undoubtedly shaped the trajectory of my career.
Can you share any memorable moments from the set of “King of the Dancehall” that had a lasting impact on you?
One of the most memorable aspects of working on the set of ‘King of the Dancehall’ was the incredible synergy that emerged among the cast and crew. Witnessing the vibrant energy of the dancers, the captivating atmosphere illuminated by the dancehall scenes, and the breathtaking scenery as we traveled to various locations in Jamaica left an indelible impression on me. The entire experience was truly unforgettable and contributed to the lasting impact the film had on my professional journey.
Transitioning from playing Maya in “King of the Dancehall” to Ruby in “Family Business”, what drew you to your current role?
What attracted me to my current role (as Ruby) in “The Family Business” on Netflix was the opportunity to portray an authentic Jamaican female character with substance. The prospect of stepping into a well-defined role that held cultural significance was incredibly appealing. Additionally, the ongoing character development throughout the four seasons of the show was a compelling aspect that drew me in. It’s truly a blessing to be part of a project where the evolution of the character adds depth and richness to the overall narrative.
How has the Jamaican culture portrayed in “King of the Dancehall” influenced your approach to acting in subsequent projects?
My experience portraying Jamaican culture in ‘King of the Dancehall’ has significantly shaped my approach to acting in subsequent projects. From the beginning, I’ve been intentional about delivering our dialect in a manner that is both authentic and accessible to a global audience. While there may be occasional confusion about the authenticity of my accent, I’m grateful that the majority appreciates the refreshing and genuine sound of the Jamaican accent on the international screen.
“King of the Dancehall” explores the complexities of Jamaican life. How do you think it contributes to breaking stereotypes about the country and its people?
One of the aspects I appreciate about ‘King of the Dancehall’ is its exploration of the nuanced facets of Jamaican life. While we may not always have all the material wealth, what stands out is our ability to find joy in expressing ourselves freely. Through mediums like dance, we showcase our rich culture, and this genuine expression fosters a sense of happiness and openness. It’s through these authentic portrayals that we contribute to breaking stereotypes about Jamaica and its people, highlighting the resilience, joy, and willingness to share our culture with the world.
What challenges did you face while working on “King of the Dancehall,” and how did you overcome them?
One of the notable challenges I encountered during the production of ‘King of the Dancehall’ was navigating the industry as a relatively new presence, feeling like a small fish in a vast ocean. It required me to confidently make choices and decisions that authentically represented myself, a task that proved challenging for my naturally introverted disposition. Additionally, integrating dance routines into my already demanding schedule posed another obstacle. However, the joy and camaraderie experienced during the creation of these dances made the sacrifice worthwhile. Overcoming imposter syndrome was also a significant hurdle, but I learned to trust that the role was meant for me and embraced the belief that everything would fall into place.
Having worked with Nick Cannon in “King of the Dancehall,” how was the experience, and what did you learn from collaborating with such an accomplished figure in the industry?
Working alongside Nick Cannon in ‘King of the Dancehall’ was an enriching experience. Nick’s unwavering work ethic was truly admirable; he’s someone who dedicates himself tirelessly to his craft. The saying goes, ‘When you love what you do, you’ll never work a day in your life,’ and I resonated with that sentiment throughout our collaboration. The atmosphere on set was both enjoyable and comfortable, allowing me to embrace vulnerability as I immersed myself in the character of Maya. I cherished every moment and found the space conducive to freely expressing myself. Nick’s inspiration and the collaborative dynamics in the reading room empowered me to use my voice and contribute authentically. The knowledge gained from this experience has been invaluable in my growth as an actress.
“Family Business” marks a shift in your career. What attracted you to the project, and how does it differ from your previous roles?
What drew me to “The Family Business” was the unforeseen nature of the opportunity, presenting itself as a divine next step in my acting journey in the States. The director, Trey Haley, shared that they recognized my fit for the role of ‘Ruby’ when they saw me on the big screen at the Pan African Film Festival. Alignment has always been a crucial factor in my decision-making process when it comes to accepting roles. What sets this role apart from my previous ones is the diverse cultural context within which Ruby exists. Interacting with characters from various backgrounds, such as Italians, Spanish, and Americans, adds a unique layer to the show, and I believe my portrayal of Ruby brings something distinct to the table.
In both projects, you’ve been part of ensembles with diverse casts. How important is diversity in the entertainment industry to you, and how do you navigate it in your career?
I am genuinely excited to discuss the significance of diversity in the entertainment industry. Recognizing its importance has been a priority for me, and it’s encouraging to see this topic at the forefront of prestigious events like the Toronto International Film Festival (TIFF). The current appetite for diversity, particularly with the rise of streaming platforms, underscores its relevance now more than ever. In navigating my career, I embrace the perspective that the demand for diverse casts is high, and I approach each opportunity with the confidence that my unique background positions me as a strong candidate for any project that comes my way.
How do you approach the challenge of portraying authentic Jamaican characters, considering your roots and the responsibility to represent the culture accurately?
I approach the challenge of portraying authentic Jamaican characters with a keen awareness that I can’t capture every facet of the diverse Jamaican culture in its entirety. I recognize that each role may not encompass the entirety of the culture. However, when I do have the opportunity to embody these authentic Jamaican characters, I draw inspiration from my personal experiences and the stories of those within my community. Living in Jamaica has been instrumental in providing me with an immersive understanding of the culture, which informs and enriches my approach to these roles.
“King of the Dancehall” addresses issues like love, family, and social conflicts. How do these themes resonate with your personal values and experiences?
For me, family is the bedrock of everything, and it was particularly resonant that ‘King of the Dancehall’ centered around the themes of love and the unwavering support of family. While social conflicts may be a part of everyday life, the film beautifully illustrates that, ultimately, everything can be overcome with the power of love.
What impact do you hope “Family Business” will have on viewers?
I aspire for ‘Family Business’ to further its global impact. It’s heartening to receive messages from viewers around the world who take comfort in the spotlight given to the Jamaican brand on the international stage. Carl Weber’s adept storytelling skill, weaving together perspectives from different cultures, has created a narrative that is uniquely diverse and previously untold. Being a part of this project brings me immense joy, and I hope the series continues to resonate with audiences globally.
How do you prepare for emotionally demanding scenes?
I approach emotionally demanding scenes by thoroughly studying the lines until the essence of the scene is ingrained in my mind. When I arrive on set, I purposefully let go of the mental rehearsals from the night before and immerse myself in the flow of the current scene. Overthinking can be counterproductive, especially for emotionally charged scenes. By relaxing and allowing my character to naturally inhabit the moment, I find confidence in trusting the choices I’ve made as an actress. After delivering the scene, I release it, putting faith in the belief that it will resonate effectively with the audience.
Your career is blossoming on both BET and Netflix. How do you perceive the changing landscape of television and streaming platforms in shaping storytelling?
The television and streaming landscape have undergone a significant transformation and continue to evolve. This shift has notably expanded access to a broader audience, making streaming more convenient for viewers. The change has also paved the way for a more diverse cast and crew, fostering opportunities for independent and diverse storytelling that isn’t constrained by the limitations of traditional cable network television.
“King of the Dancehall” showcases aspects of Dancehall culture. Are you a fan of this genre of music, and how has it influenced your perspective on Jamaican arts?
Dancehall music is ingrained in my upbringing; it’s part of my cultural DNA. The creativity inherent in Jamaican arts is truly unparalleled. While my preference leans towards more conscious lyrics, I appreciate the ability of dancehall music to elevate one’s mood. The diverse and vibrant expressions within the genre continue to influence my perspective on the richness of Jamaican arts.
What advice do you have for aspiring actors who may be inspired by your journey?
My advice for aspiring actors is to persistently follow your passion and remain steadfast in pursuing your dreams. One transformative moment can alter the course of your entire journey. Don’t succumb to imposter syndrome; there’s always room for your unique contribution through your talent. Be open to unexpected avenues of growth in your career and be prepared to put in the necessary work to elevate your craft.
How do you balance your cultural identity with the diverse roles you portray in your acting career?
I make a conscious effort to maintain a connection with my cultural roots and not forget where I come from. Balancing my cultural identity while navigating diverse roles requires a level of humility that I prioritize. During breaks between acting seasons, I find it beneficial to spend time in Jamaica, allowing me to reconnect with my roots and reinforce that cultural identity, regardless of the duration I spend in the States.
Most rewarding moments you’ve experienced in your acting career so far?
Several rewarding moments stand out in my acting career, including the opportunity to travel, engaging with diverse cast and crew members across various acting seasons, and expressing my talent authentically. These experiences have collectively contributed to the rewarding nature of my career in acting.
How did the Jamaican audience respond to “King of the Dancehall,” and how has that impacted your connection to your roots?
The response from the Jamaican audience to ‘King of the Dancehall’ has been incredibly heartwarming. As a proud people, once someone from the island breaks new ground, the support from the Jamaican diaspora is unwavering. What amazes me is the impact that extends beyond the Caribbean, reaching continents like Africa and Europe. The love and support I receive in representing my roots as authentically as possible bring me genuine happiness.
Looking ahead, are there specific types of roles or genres you aspire to explore in the future?
I have a particular affinity for roles where the character’s journey unfolds for the ultimate good, and I’ve never been particularly drawn to playing a villain. However, I find great interest in roles that involve action and captivate audiences both intellectually and emotionally. Whether it’s a character-driven story with dynamic action sequences or a narrative that carries a positive message leading to edification, those are the types of roles I aspire to explore in the future.
How has the actor’s strike affected you?
Although the actor’s strike caused an abrupt pause in the middle of filming season 5, it has left me in a state of hopeful anticipation for the new opportunities that may arise from the situation. The strike fostered unity around a common issue, pointing us collectively in a forward direction. While acknowledging the significant impact it had on many, I’m grateful for the ability to balance my acting career with my passion as a makeup artist. Pivoting to utilize my skills in another area allowed me to continue earning income during the pause, highlighting the importance of having a skill-based career.
