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Today: 27/12/2024
Beenie Man, Bounty Killer at Reggae Sumfest performing together 2019
Beenie Man, Bounty Killer at Reggae Sumfest performing together 2019
26/12/2024

Longest Running Stage Shows in Jamaica

Jamaica’s stage shows are are cultural landmarks that reflect the island’s vibrant music and resilience. These events have endured for decades, overcoming challenges like economic shifts, the COVID-19 pandemic and natural disasters.

One such iconic show is Reggae Sunsplash, which had multiple runs: first from 1978 to 1996, then in 1998, 2006 and the final virtual staging in 2020,  marking its final staging after 42 years. Similarly, the pandemic disrupted the schedules of other legendary events such as Rebel Salute, Sting, Ghetto Splash, and Reggae Sumfest.

Here’s a closer look at the longest-running stage shows in Jamaica and their enduring legacies.

1. Reggae Sunsplash (1978–2020)

Reggae Sunsplash, Jamaica’s iconic reggae music festival, has had 27 stagings over 42 years, from its inception in 1978 to its final virtual event in 2020. The festival initially ran annually from 1978 to 1996, then resumed for additional events in 1998 and 2006, before being briefly revived as a virtual show in 2020.

The festival’s innovative blend of music and tourism helped establish a summer tourist season in Jamaica and expanded internationally with tours starting in 1985. Despite its global recognition, financial challenges and a lack of sponsorship led to its eventual decline. The brand is currently owned by Kenny Benjamin of Guardsman Group who bought the rights from Synergy


Sting (1984–2023)

Often dubbed “The Greatest One-Night Reggae and Dancehall Show on Earth,” Sting was a staple for 4 decades. The event gained a reputation for its intense lyrical clashes and unforgettable performances, particularly from dancehall heavyweights.

After 40 years of organizing Jamaica’s iconic Boxing Day event, Isaiah Laing, Chairman of Supreme Promotions, made the decision to step down, marking the end of an era for Sting. Speaking with World Music Views (WMV) last year, Laing revealed plans for his son to take over the reins of the show and bring fresh perspectives to its future direction. “The young people have their own mind. I will take advice from him and listen to him now.”

Last year’s return after a four year hiatus during the pandemic to Jam World, Portmore, featured the “Ten Giants of Dancehall,” including Bounty Killer and Capleton. Spragga Benz was billed and in the house but he did not perform. It was globally live-streamed via CODA, allowing fans in 174 countries to watch for $13.99.

Laing confirmed that this beginning last year, fans will also see the end of the clash format, a cornerstone of Sting’s legacy. He recounted the first major clash in 1985 between Papa San and Tanto Irie, which drew over 13,000 attendees and solidified Sting’s reputation as the ultimate stage for lyrical battles. “From the inception, it was a friendly thing—tune for tune,” Laing explained. Over the years, clashes became a cultural phenomenon, even inspiring Busta Rhymes to adopt a high-energy performance style after witnessing Sting in 1997.

Despite its influence, the clash concept has faced criticism for fostering violence. Addressing this, Laing assured fans that this year’s show would focus on mature artistry and positive vibes. “No gun gonna be in play. Nobody nuh so brave,” he said.

This year’s staging was abruptly cancelled after Clear Sound pulled out last minute due to non-payment.

Laing had opened up about the challenges of organizing Sting, particularly the lack of support from sponsors and Jamaica’s upper class. “Dancehall is ghetto music, anything they think come from the ghetto them nah embrace it nuh kinda way,” he remarked. Despite this, Sting has played a pivotal role in breaking artists internationally. Laing noted, “The man who lose Sting clash always get an international career. When you get bottled at Sting, you get signed too.”

He attributed Sting’s global impact to its authentic representation of dancehall culture, which inspired platforms like Verzuz. Laing highlighted the parallels between Sting and the Swizz Beatz and Timbaland-created Verzuz, which has become a multimillion-dollar global brand.


Ghetto Splash (1989–Present)

Ghetto Splash, an annual free stage show has been a consistent force in providing a platform for emerging and established artists alike. Founded in 1989, in the South At. Andrew inner city community of Craig Town, by Patrick Roberts continues to thrive, offering fans an authentic experience of Jamaican culture. The event which is held on the third Tuesday in December was sponsored by no other than Prime Minster Andrew Holness, the Ministry Of Culture, Gender Entertainment and Sports this year. In the past it was bankrolled by Joe Bogdonovich of Downsound Entertainment.


Reggae Sumfest (1993–Present)

Known as the “Greatest Reggae Show on Earth,” Reggae Sumfest, the largest music festival in Jamaica and the Caribbean, has been held annually in mid-July in Montego Bay since 1993. Known for attracting diverse audiences worldwide, it showcases iconic Jamaican reggae and dancehall artists, including Damian Marley, Beres Hammond, Vybz Kartel, Spice, and Sean Paul, alongside international stars like Beyoncé, Rihanna, Kanye West, and Nicki Minaj.

The festival, initially founded by Summerfest Productions Limited, was sold to Downsound Records in 2016. Reggae Sumfest kicks off with the Sumfest Beach Party at Tropical Bliss Beach, followed by events like the Street Dance, All White Party, Blitz Party, Global Sound Clash, and culminates with two main festival nights: Dancehall Night (Friday) and Reggae Night (Saturday) at Catherine Hall Entertainment Complex. Beyonce, Sean Paul, Destiny’s Child, Usher, Beres Hammond, Buju Banton, Popcaan, Vybz Kartel and more have been headliners.

Robert Russell, one of the festival’s founders, was recognized with an Order of Distinction award in 2017.


Rebel Salute (1994–Present)

Launched by reggae artist Tony Rebel, Rebel Salute has carved out a niche as a family-friendly, roots-focused festival. Held the weekend of January 15, Rebel’s birthday Since 1994, it has celebrated Rastafarian culture and healthy living while presenting some of the best reggae acts.

The concert was initially held in Manchester and later in St. Elizabeth, before moving to Richmond Park Estate in Saint Ann in 2014 to become a two-day event.

Known for its alcohol-free and meat-free stance, the festival was once sponsored by PepsiCo. It also showcases dancehall artists with “conscious” performances, often billed under their real names to emphasize their positive side. Rebel Salute is one of Jamaica’s largest music festivals.

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