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Today: 17/06/2026
17/06/2026

Vybz Kartel’s ‘God & Time’ Debuts At No. 6 On Billboard’s Reggae Albums Chart: Here’s What That Means In Sales

Vybz Kartel
Vybz Kartel

Vybz Kartel’s God & Time debuts at No. 6 on Billboard’s Reggae Albums chart this week, becoming one of the highest-charting new reggae releases of 2026.

Billboard and Luminate do not publicly disclose weekly consumption figures for every album on the Reggae Albums chart. World Music Views make requests through several sources in order to measure the genre’s US activity. Chart positioning and historical consumption trends provide insight into the level of activity typically required to reach the ranking.

According to Luminate, an album generally needs between 6,000 and 8,000 album-equivalent units during a single tracking week to enter the lower reaches of the Billboard 200. That threshold fluctuates depending on seasonal demand, major releases, and overall music consumption across the United States.

More than 40,000 reggae albums are sold in the US each week, but the only reggae album currently appearing on both the Billboard Reggae Albums chart and the Billboard 200 is Legend: The Best Of Bob Marley & The Wailers. The compilation climbs to No. 64 on this week’s Billboard 200 after ranking No. 71 a week ago. Based on its Billboard 200 positioning and historical performance, industry observers estimate the album generates between 11,000 and 14,000 album-equivalent units in a typical week.

The gap between Legend and the rest of the reggae market remains substantial.

At No. 2 on this week’s Reggae Albums chart is Best Of Shaggy: The Boombastic Collection. Released by Geffen Records, the compilation has never reached No. 1 on the Reggae Albums chart and has never appeared on the Billboard 200. It’s weekly consumption fluctuates between 4,500 to 5,000 album-equivalent units, less than half of Legend’s total.

The Reggae Albums chart uses the same methodology as the Billboard 200, combining traditional album sales, streaming-equivalent albums (SEA), and track-equivalent albums (TEA). However, because the chart ranks only reggae releases, the consumption required to enter the chart is significantly lower than what is needed to reach the all-genre Billboard 200.

With the injection of a new album in the top ten, this week’s chart suggests that approximately 1,500 album-equivalent units—or possibly fewer—was enough to secure a Top 10 placement. Bob Marley & The Wailers’ Exodus occupies the No. 10 position, while Kartel’s God & Time enters at No. 6.

Using the surrounding titles as a benchmark, God & Time’s initial estimates are 2,700 album-equivalent units from sales and streaming activity during its opening week. World Music Views requested the precise number from Luminate but is yet to be provided. Kartel also debuted at No. 39 on Billboard’s Emerging Artist Chart which measures artist activity across multiple Billboard charts. However, the Emerging Artists chart excludes acts that have notched a top 25 entry on either the Hot 100 or Billboard 200, as well as artists that have achieved two or more top 10s on Billboard’s “Hot” song genre charts and/or consumption-based “Top” album genre rankings.

Based on current chart activity, estimated weekly consumption for this week’s Billboard Reggae Albums chart is as follows:

  • No. 1: Legend: The Best Of Bob Marley & The Wailers — 12,000+ units
  • No. 2: Best Of Shaggy: The Boombastic Collection — 5,000 units
  • No. 3: The Trinity —  4,300 units
  • No. 4: World On Fire — 3,800 units
  • No. 5: Greatest Hits (UB40) — 3,300 units
  • No. 6: God & Time — 2,700 units
  • No. 7: Wisdom — 2,500 units
  • No. 8: Dutty Rock — 2,100 units
  • No. 9: Set In Stone — 1,800 units
  • No. 10: Exodus — fewer than 1,500 units

Initial sale sales estimate for current chart activity suggests that roughly 1,500 to 3,000 album-equivalent units can often secure a Top 10 position, while albums competing for the upper tier of the Billboard Reggae Albums chart, generally appear to generate between 3,000 and 6,000 units per week.

Bob Marley performs onstage at the Auditorium Theater in Chicago on May 27, 1978. Paul Natkin/Getty Images
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