I’m In It, by Kanye West featuring Justin Vernon and Agent Sasco, was certified Gold in the United States on July 17, 2026.
According to the Recording Industry Association of America (RIAA), the song has surpassed 500,000 equivalent units in the US.
Originally released on June 18, 2013, I’m In It appears on West’s sixth studio album, Yeezus.
The hip hop, dancehall, industrial and trap-influenced track was recorded at several studios, including GeeJam Studios in Port Antonio, Jamaica. Sasco contributed vocals and songwriting under his former stage name, Assassin, though he was not billed as a featured artist on the official release.
The certification is a notable milestone, representing Sasco’s first RIAA-recognised recording.
He vocals appear on the previously certified Gold certified track The Blacker the Berry, by Kendrick Lamar, from the critically acclaimed 2015 album To Pimp a Butterfly, but was not credited as a featured artist on that recording. Consequently, he was not recognised by the RIAA when the song was later certified in 2018, making I’m In It his first RIAA-certified recording as a credited artist.
Agent Sasco’s contribution came after he was recruited by West’s team during recording sessions at GeeJam Studios.
Jon Baker, owner of Geejam told WMV how the song came together on Friday. “Che Pope who use Geejam regular plan pre-production for his projects,” he said. “In this case it was for Kanye’s project. he asked me to recommend a dancehall vocalist, I always love Sasco’s versatility and charisma on record.”
According to the album’s production history, he recorded several verses without initially knowing they were intended for Yeezus. West ultimately selected one of those performances for the final version of I’m In It, with Sasco later revealing that he only discovered he had made the album after hearing the song in a club. He has since said the collaboration helped shine a global spotlight on dancehall’s influence within hip-hop.
Upon its release, I’m In It drew attention for its fusion of hip-hop and Jamaican dancehall and peaked at No. 17 on Billboard’s Bubbling Under Hot 100 chart and No. 43 on the Hot R&B/Hip-Hop Songs chart.
